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Posts Tagged ‘Aix’

Repeat post for new followers

The bells at the cathedral in Aix rang out at 3pm, 11 November 1918, after 1561 days of silence, to mark the end of the fighting.  And by 6pm, the crowds were at the Rotonde to celebrate.

Of the 3000 men mobilised from Aix, 720 were dead, 190 disappeared and 500 left disabled. The story didn’t even end here for those left in the north of France. Despite having been away for four long years, the local regiment was involved in occupation and didn’t arrive back in town until 2nd September 1919.  What a homecoming that must have been.

But when I was writing my book (Aix-en-Provence: The Inside Story) and researching the chapter on the effect of World War 1 on Aix, itIMG_7013 seemed that there was some sort of controversy surrounding the troops from Provence but I couldn’t find details.

Then came ‘La Faute au Midi’, a new book and exhibition, which told it all and it was truly an appalling story.

Here is my post from 2014:

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Each year, there’s an opportunity in Aix to push open the doors of some of the most elegant and private-looking townhouses to visit their gardens.  The special weekend is usually in June, but this year, the Flaneries d’art takes place at the end of this week. (more…)

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Boats at Port de Cassis

Mid-June is when I usually urge Aixcentric followers to hurry to the vaulted gallery tucked behind Aix’s ancient cathedral to enjoy a garden with dark green ivy and little white flowers glowing in the candle-light, leading indoors to the annual exhibition of paintings by Jill Steenhuis.

But of course not this year.

And this is a shame as it would have marked her 40-year anniversary as an artist living and working in Provence.  Influenced by the Cézanne landscape, Jill who was born in Atlanta, Georgia, continues to paint daily, either “en plein air” or in the light-filled studio of her country home, capturing the essence of Provence with landscapes, still-lifes and scenes from the coast or the streets and markets of Aix.

Instead, like many artists right now, she is using technology to show her work and is offering a gallery of 40 paintings at half-price.  Launched today, some are already sold so time is clearly of the essence: https://www.artinprovence.com/40-years-in-france-legacy-gallery/

This website also has Jill’s blog which has interesting reminiscences of her 40 years in Provence, including meeting her husband-to-be

Almond Branches in Glass Vase by Jill Steenhuis

on Day 2!

Good decision, the couple have raised an artistic family – and son James, a film-maker, has produced a documentary about Jill and her work which can be purchased through the website.  Trailer here: https://vimeo.com/ondemand/paintingtheinvisible

Jill looking out at medieval cloister

 

 

 

 

Best wishes to Jill on her anniversary.  This is the photo I took at the gallery and expo last year. Let’s hope 2021 sees us all safely back there to enjoy her paintings in person once more.

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The Hotel Caumont Centre d’Art is re-opening its lovely café on 10th June and will be – finally- launching its exhibition of the colourful works of Spanish impressionist Joaquin Sorolla on 10th July.

The new regime is as follows:

  • internet bookings only
  • masks to be worn
  • temperature check on entry
  • one-metre social distancing
  • no groups
  • no audio guides or coat/luggage storage.

This exhibition promises to be magnifica!

 

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Who has the most Aix-citing pizza in Aix? writes Susan Gish.

                                                         Let us know your favorite in the comments! (more…)

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“No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses…The taste was that of the little piece of madeleine,” – Marcel Proust

Being far from an intellectual, I had no idea what people were talking about when they mentioned Proust in relation to madeleines (I had never read any of his work), writes Susan Gish. All I knew was that I am addicted to them. Not all madeleines, just those from Christophe Madeleines. (more…)

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The latest in the series of London productions to be transmitted in Aix takes place Sunday 1st December at the town’s 5-star Hotel Renaissance. 

The transmissions are organised by local theatre-lover Karen Wildau who writes:

A play by Arthur Miller barely needs an introduction.  This play, performed at the Old Vic and brought to us by the NTL stars Sally Field (Steel Magnolias) and  Bill Pullman (Independence Day).
It is America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business.
But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.
Here’s  some of what The Guardian says in its review:

At a time of flux and fakery when lies masquerade as truth, we find reassurance in Miller’s moral rigour.. The play focuses on Joe Keller, a thriving businessman who escaped a wartime charge of issuing defective cylinder heads to combat planes by letting his partner take the rap. Exonerated but hardly guilt-free, Joe is suddenly confronted by the consequences of his actions. His wife, Kate, is obstinately convinced that their son, Larry, missing in action, is still alive. And when their other son, Chris, decides to marry Larry’s fiancee, Joe and Kate realise that the pretences by which they have lived are destined to be exposed.

Miller’s morality is accompanied by psychological insights that Herrin’s production largely captures. Pullman, with his granite profile and spiky hair, lacks the backslapping bonhomie that David Suchet brought to Joe in the last West End revival, but he is excellent at conveying the character’s strenuous self-justification.

Field, meanwhile, is superb as Kate. She combines an innate warmth with a nervy anxiety suggested by the way she encases herself in her cardigan as if it were a protective shield. It has been argued that Kate is the “villain” of the piece in that she puts the sanctity of the home before ethics, but Field endows the character with an essential myopic innocence.

THE TICKETS FOR THE PLAY ON DEC 1 AT  2:30 pm MUST BE PURCHASED NO LATER THAN 5 PM ON THE PRECEEDING FRIDAY.   HERE IS THE LINK TO USE FOR PURCHASING THEM:    https://www.weezevent.com/all-my-sons

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What a tonic on such a rainy day to read a little about the treat in store for us this summer, at Aix’s outstanding Hotel Caumont Centre d’Art.  They will be featuring the work of (more…)

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All of a sudden it seems that Christmas is upon us and Aix really celebrates Christmas in style.

Here are the main festive markets (more…)

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A cartoon-based gastro-guide in Aix

An olive-based trail in Marseille’s Panier

and

Graeco-Roman Banquets in Marseille’s Jardin des Vestiges

 

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